It all started in 1907 when The Connecticut Trading company was formed and obtained an exclusive license to import and sell the German Practicus incandescent mantle burners in North America. The company quickly saw the advantage of being able to offer complete kerosene mantle lamps as well burners for lamp upgrades and turned to Plume & Atwood in nearby Waterbury Connecticut to manufacture lamp bases to go with their burner. Thus the American version of the Practicus lamp was born.
Early 20th century America and Canada were largely rural. Country wide sales were made by independent sales agents who were granted exclusive sales territories and went house to house to sell their products. One of the Connecticut Trading company's early independent sales agents was Victor Johnson who formed the Western Lighting Company in Minneapolis, Minnesota to sell Practicus lamps under license from The Connecticut Trading Company.
Within a year Victor Johnson moved to Chicago Illinois to form the Mantle Lamp Company of America. In 1908 he filed the incorporation papers and applied for the trademark name "Aladdin". When Victor Johnson moved to Chicago it appears that his exclusive license to sell Practicus lamps in Minnesota may have been transferred to the Minnesota Trading Company who had been selling Felbollin mantle lamps. Victor Johnson evidently secured a different licensing agreement with the Connecticut Trading Company allowing him a larger sales region for Practicus mantle lamps under his new company name.
The company did not start out as Aladdin because there was an Aladdin Lamp Company already in existence at the time
1896 ad for Aladdin bicycle lamps
In the meantime, Plume and Atwood, having gained experience with the Practicus burner designed a centre draft and a side draft incandescent mantle burner. It appears that the Connecticut Trading Company started offering the center draft lamp developed by Plume & Atwood in April or May of 1908 under the CONTRACO trade name. In the same time frame Plume & Atwood sold their center draft lamps to other companies as well, creating such brands as Kim and Sunlight (not to be confused with the Sunlight brand mantle lamp later manufactured by the E. Miller & Co mantle lamp department for Montgomery Ward).
Something happened around late 1908 or early 1909. The Mantle Lamp Company which had been selling Practicus lamps under license from the Connecticut Trading Company suddenly stopped offering Plume & Atwood lamps with the Practicus burner and for a brief period offered lamps with the newly developed Sunbeam side draft burner on Plume & Atwood fonts.* This was soon followed by the Mantle Lamp Company ending up with an exclusive license to sell the centre draft lamps manufactured by Plume & Atwood under the brand Name of Aladdin. By Summer of 1909 The Mantle Lamp Company of America was offering the Aladdin model 1 lamp. The Mantle Lamp Company ceased selling Sunbeam lamps but continued offering the Sunbeam burner, followed by the Lumineer burner in 1913 as an incandescent mantle burner upgrade for owners of flat wick lamps.
The Mantle Lamp Company was able to start off the model 1
with three table lamp versions, two hanging lamp versions,
a wall mounted lamp and an oil pot lamp because the tooling
was already there. The lamp body tooling had already been developed for use with the Practicus and the CONTRACO lamps.
The Aladdin model 1 and 2 lamps were basically generic P&A designed
centre draft mantle lamps. Early shades were generic off
the shelf glass shades for that era and the wall mount brackets, fount lamp hangers and shade holders
were the standard P&A type. The mantles and chimneys were imported from Germany. Within a couple years Aladdin
was contracting independent glass companies produce glass
shades and chimneys and had established their own in-house mantle manufacturing facilities.
The success of the Mantle Lamp Company was based primarily
upon constant design improvements, innovative marketing and the use of American made parts. Very early on the Mantle Lamp Company created a R&D department which worked tirelessly to improve the Aladdin burner. Over the next three years
the centre draft burner evolved quickly. There are at least three
different versions of the model 2 lamp which was offered
for sale during a single year
The KoneKap Mantle
The models 1 and 2 lamps used a cap mantle that sat on a
cone shaped opening on the gallery. The mantle's spatial
relationship to the wick depended upon how the user assembled
the mantle on the gallery. The result of a cap mantle that
was not seated perfectly is a finicky lamp that tended to
burst into a carbon depositing flame before the whole mantle
The Mantle Lamp Company received it's first patent on 4 April
1911 that covered a new mantle, gallery and generator design. The new
mantle effectively moved the cone from the gallery to the
mantle and created a controlled more exact spacing by virtue
of the mantle locking into the new gallery. Their patent covered
the new mantle, gallery and generator (flame spreader). This
did two things for Aladdin. It provided Aladdin with complete
control over manufacturing and sales of the Kone Kap mantle.
And the Kone Kap mantle's precision location on the gallery
created a much easier to operate less fussy lamp than any
The new mantle, gallery and flame spreader were rushed into production as quickly as possible and
got phased into the model 2 lamp production (model 2-3 transition
lamp). Also during that year a new improved the wick
raiser design and method of producing threads
in the table font were introduced.
Victor Johnson realized the importance of marketing to support the company's rapidly growing force of retailers and independent sales agents. The company advertised in periodicals, over the radio and even with slides shown in movie theaters just before a movie began. They were always trying new promotions and
ways to sell product. Aladdin devised and offered marketing displays to allow retailers to showcase Aladdin brand lamps.
The company tried to have new
product to offer customers each year to generate renewed product interest and persuade
existing customers to upgrade, much in the same way as the
automotive industry. When they did not have functional improvements,
Aladdin incremented the model name by one and slid in appearance
changes when economical. For instance the model 10 and 11
lamps are marketing upgrades of the second year model 9 lamp.
Later the glass lamps allowed Aladdin to continually keep a new
mix of products in front of the customer to provide a constant
level of excitement. All this without having to increment
the burner tooling.
In 1915 Aladdin won a gold metal at the Panama Pacific International Exhibition in San Francisco for having the best kerosene lamp in the world with their model 6 Aladdin lamp.
The Mantle Lamp company lost no time in advertising that they had the kerosene lamp judged to be the best in the world. They focused on the world fair award in their advertising and started offering a $1,000 reward to anyone who could prove that another lamp was better.
They stamped 1915 - 1916 onto the wick adjuster knob to make sure buyers would recognize the model 6 as the lamp that won at the world's fair. This is the only model of Aladdin lamp that was ever year stamped on the burner.
World War I
The mantle lamp industry was created in Germany where the
incandescent mantle was invented. Designing a mantle lamp
burner requires a fair amount of engineering and the technology
was developed by a few companies in Germany who saw financial
opportunities in expanding their market abroad. A large number
of partnerships between German burner manufacturers and American marketing entrepreneurs were formed in America where the marketing
company would purchase imported burners, place them on American
made lamp fonts and sell the resulting mantle lamps.
started out as such a company and luckily they partnered
with Plume & Atwood who had the engineering capability
to design their own incandescent lamp burners. This
quickly eliminated Aladdin's dependence upon burners imported
from Germany. During
WWI German lamp parts became unavailable in America. Americans
suddenly disliked things made in Germany and all the small
American lamp companies using German burners went out
of business. Prior to WWI all Aladdin chimneys were imported from Germany. Chimney production shifted to the US during and after the war.
There was a limited return of German manufactured
mantle lamps between World War I and World War II such as
the lamps manufactured by Ehrich and Graetz sold by Montgomery
Ward during the 1930's. These of course disappeared when Europe entered into World War II.
After War Expansion
Victor Johnson was seeing home and business electrification
progressing in the United states and decided to branch out
to keep the company strong. Besides opening offices in other
countries to market lamps, he formed Aladdin Industries in
1919 to make products based upon vacuum technology. This was
followed with ventures into other household products. Lamps
were mostly a seasonal product and The mantle Lamp Company
needed products that would sell well year around keep the
income flow more steady.
Aladdin purchased a glass company in 1926 to gain complete
control over shade and chimney manufacture. This lead to the
introduction of glass lamps in 1932.
Aladdin was to keep its partnership with Plume & Atwood
for as long as metal lamps and burners were manufactured within
the United States. All American made metal lamps and burners
up through the Nashville model C were produced by P&A
Making tooling to form metal is expensive and takes time.
Unless you are talking about changing some minor stamp dye
in a tool you need to sell a lot of lamps to pay for tooling
changes. It was a lot cheaper to have your company name stamped
onto existing generic parts than to pay for the tooling to
make different lamps. The fact that P&A was selling the same parts
to a number of companies just kept the prices more affordable
to struggling new marketing and sales companies and allowed
P&A to make a good profit.
When Aladdin first started working with Plume & Atwood,
they used existing tooling to have their lamps manufactured.
As time progressed Aladdin's ability to pay for their own
tooling increased and the lamps became more uniquely Aladdin.
But it was not until 1917 when the model 7 went into production
that Aladdin lamps became uniquely Aladdin. It is my guess
that the wild success of the model 6 lamp allowed Aladdin
to be able to afford their own unique tooling using features
that Aladdin quickly patented.
To keep costs down, tooling changes were minimal and the
existing tooling was used through as many models as possible.
If you compare individual stampings of adjacent models you
can get an idea of how many parts were carried over from
model to model and when tooling wore out and needed to be replaced during a year's production run.
With very few exceptions Aladdin didn't just didn't go to P&A
and say make me an entirely new design with new tooling for the next
sales season. All new tooling is what makes the model 7 such
a revolutionary lamp. It was the first Aladdin lamp that required a total change from existing
P&A lamp tooling.
Model 11 top with model 12 base, bottom and burner. Aladdin used up previous model parts transitioning to a new model
Unsold inventory is money already spent. It is not economical
to throw away parts that are already made if they can possibly
be made to fit in the next model. For example the
centre draft tube in my early model 2 table lamp has generator
seats for both model 1 and model 2 lamps. It appears to be
a reworked model one inner wick tube or perhaps a reworked
complete table font. The gallery on this model 2 lamp is a
model 1 gallery that was reworked to eliminate a top row
of holes. Model 3 gallery's are often found on early model
4 lamps. The first model 6 font lamps had the old style bottom
plates. Nickel plated model 7-8 gallery's have been found
on early model 9 lamps. There are several more examples of factory hybrid
lamps and burners that used up existing stocks. That's why I never argue
with an individual lamp that has a part or two from the previous
model. And I have seen way too many lamps with 12 burners
on 11 lamp bodies not to believe the factory used up extra
lamp bodies with an undocumented 11-12 transition lamp.
Many of these lamps can be explained by Aladdin's trade
in campaign allowing discounts for trading in earlier burners
for model 12 burners. But with the depression going
strong I do not think this programme accounts for all the
lamps that have model 12 burners on model 11 lamp bases.
I keep wondering how many early transition lamps have been
modified by collectors who removed the "wrong" parts
and replaced them with the correct parts. I would imagine
that very few model 11-12 transition lamps survive a collector
in factory original condition.
When you look at the changes from model to model it helps
to keep in mind the economics of creating expensive tooling
and the need to get as much use out of it as possible. When
you look at individual lamps, remember the economics of existing
inventory at model change time. These two taken together can
give you a lot of insight to what you observe.
Glass, Glass Glass!
In 1926 The Mantle Lamp Company purchased the Lippincott
Glass Company to produce glass lamps and shades. In 1930
the first vase lamps were introduced using model 12 oil
pots in Aladdin manufactured glass bottomless vases. These
same glass vases were also used to make Aladdin electric
lamps as well.
In 1932 the first Aladdin glass lamp was introduced with
the new model A side draft burner. Glass molds are much cheaper
to make than metal form tooling and Aladdin started producing
many styles each in several colours so that there was always
something new to entice the customer. The customer now could
choose among several styles and colours to match their room
The Old switcheroo
It appears that the Aladdin model A burner was originally intended to be sold in the United States and the model B was intended to be sold in the UK. The UK model B burner was introduced in the UK market in late 1931. The tooling for this burner was developed and located in the US.
A few months later the US model A burner was introduced in the North American market. The model A tooling was also developed and located in the US. Two sets of model A tooling were used during the year that the model A was in production for the North American market. This can readily be seen comparing model A burners made by the different tooling. It appears that US customers had problems with the difficulty of installing a new wick on the model A burners. The decision was made to keep the model B burner in the US to replace the US model A burner and to ship a set of model A tooling to the UK.
The British government had legislated stiff tariff taxes to products not made in the UK as a way to protect the British manufacturing industry. According to Bill Courter, The model A drawings, a set of tooling and presses were sent from Plume & Atwood to the Aladdin Greenford factory in time to start burner production before the new tariff came into effect.
During the time span between withdrawing the model B from the UK market and model 14 production starting in Greenfield UK, model 14 burners were manufactured in the US and shipped to the UK. Initially there were there were slight changes made to the tooling of both burners. Some of the model 14 differences between the burners imported from the US and those initially produced in Greenfield might have been differences between the initial 2 sets of tooling.
UK model B burner
US model B burner
US model A burner
UK model 14 "Super Aladdin" burner
We must all make sacrifices ...
During world war II a number of materials needed for the
war effort became restricted. Brass was strictly rationed
during the war years as it was needed for shell casings and
many other uses. First to feel the restrictions was the Aladdin
The Model 14 burner stayed in full production at Greenford
during WW II. Aladdin UK was granted a license by the Board
of Trade to buy rolled brass strip from certain ordnance factories
because lighting was considered essential.
In 1942 uranium became restricted in the United States and Aladdin had to change
their formula for Alacite. Brass had also become a restricted
product in the United States early in the war. Aladdin was
allowed to continue using brass for burners because much of
America was still unelectrified and the burners were designed
around the thermal characteristics of brass.
Production of brass metal lamps ceased until the war ended in 1945. Between
1942 and 1945 the only metal lamps manufactured by Aladdin
North America were steel font lamps for the caboose lamp market.
These font lamps were galvanized inside and out then coated
black. Wick cleaners, wick raisers, filler caps and threads made during these years
were also made from steel and then plated for resistance to
rust. At the end of the war, the steel font lamp was discontinued
and brass lamps went back into production.
From 1943 dealer price list.
Brass was also restricted during the Korean war and only glass lamps were available during that time. Aladdin Australia made lamp fonts out of steel during the war. Since
the outer finish of the WWII lamps was painted, these fonts
were not galvanized. Many of the fonts rusted from the
inside over time. There are Australian lamps that are part brass and part steel that were made during the transition as existing lamp part stock was used up.
Aladdin took their burner technology to the war effort with
a number of products ranging from field cook stoves and refrigerators
for field hospitals to shipboard coffee urns. In England Aladdin
burners were used in aircraft parked outside as dehumidifiers
to keep moisture out of equipment. The thermos products part
of the company branched out and grew as well.
The Mantle Lamp Company by any other name...
In 1919 The Mantle Lamp Company created a wholly owned subsidiary
named Aladdin industries to develop and sell thermos bottles
and other temperature conserving items. In 1949 the two companies
merged taking the subsidiary company name, Aladdin Industries.
Also in 1949 the Aladdin lamp line was revamped to minimize manufacturing costs with less expensive to manufacture lamp founts and accessories such as wall mounts and bug screens replacing more ornate (more expensive to manufacture) parts. Since post WWII housing construction had lower ceilings, ceiling extensions were discontinued. Less
expensive painted finishes were introduced to replace the more expensive plating finishes.
Interestingly, most American Aladdin Lamp collectors tend not to collect lamps or lamp accessories newer than around 1949. There seems to be little American collector interest in the Last of the model B lamps and the newer lamps that came afterwards.
Early regional sales office
Aladdin letterhead used during the 1940's until Aladdin moved in 1949.
All good things ...
By 1952 sales of kerosene lamps had decreased greatly with
the post war electrification of rural America. The glass
plant was closed and almost all the lamp molds were destroyed.
The mold for the plain stem Washington drape (B-53) and
the glass font lamp were retained and an outside company
produced lamps from these molds until model B was discontinued.
Aladdin headquarters was moved from Chicago to Nashville
in 1949. At this time the wick adjuster knob tooling was changed
so that Chicago was replaced by Nashville on the model 12
and B burners (12 burners were still in production for the
parts replacement market and possibly export).
A flood in 1955 severely damaged the Plume and Atwood manufacturing plants. The flood washed away or destroyed the tooling used to make Aladdin lamps and burners. This abruptly ended model B production
and the production of new replacement parts for older lamps. Until
then model 12 burners, model 6 and 12 flame spreaders and
model 6 wick carriers were still in production to help existing
customers keep their model 3 through 12 lamps working properly.
By this time Aladdin's lamp business generated only a very
small percentage of the company profit and Aladdin
did not want to put any real money into new high quality
tooling that might not get a return from lamp sales. The
remaining stock of model B burners were allocated to B-53
lamp production and when the surviving stock of burners ran out the model B was discontinued. This lamp with
a Nashville burner was the very last of the Aladdin model
B lamps, and the last Aladdin glass lamp for a few decades.
When the flood damage was cleaned up, a model
C burner was tooled up by Plume & Atwood (small round
wick adjuster labeled Nashville) and lamps were made using
inexpensive aluminum materials. The aluminum lamps looked
cheap and I suspect sales reflected the looks.
England had its own burner tooling and was not affected
by the flood, but economic pressures led them to revise
the model 14 burner to make it less expensive to manufacture. Improvements
were added at the same time and the model 21 was born in
The Australians never made their own burners. They
were importing UK model 14 burners and offering them as model
16A burners. They were also importing American model
B lamps an offering them as model 16B. After 1954 Aladdin
Australia sold lamps with UK made model 21 burners.
In 1963 Aladdin UK model 21C burners were imported to the
US to provide a higher quality alternative to the model C
The model 23 burner (reworked model 21C burner ) was introduced
in 1969. The first model 23 burners were English made. Eventually
model 23 burner production was moved to Hong Kong (The English
tooling stayed in England and new tooling was made in Hong
Kong). There were a number of fit and quality issues with
the Hong Kong burners that slowly got worked out over time
and through several versions of the burner.
Inexpensive model C lamps were made in Brazil in 1974-75
primarily for the third world export market and as a low cost
alternative to the expensive model 23 lamp in the US market.
However the steel Brazilian burners did not work well at all.
Sometime during 1975 new Brazilian burners were shipped to
Aladdin UK for modification to correct burning problems. The
root problem is that the Aladdin burner technology evolved
using brass thermal characteristics and the Brazilian burners
were mild steel. It was concluded that the design could not
work properly with the different thermal characteristics of
steel and the Brazilian model C burner was discontinued.
By the late 1980's the Chinese company producing Lox-on chimneys
for Aladdin was having problems producing the chimney foot
and chimneys were being sold that required reworking of the
gallery tabs and sometimes even then did not stand straight
on the lamp.
Through much of the 1970s, '80s and going into the '90s
Aladdin had been outsourcing to low cost manufacturers who
just were not making parts that fit or worked well. Expensive
lamps were being offered for sale that often did not fit or
work quite right. It seemed that Aladdin Industries just did
not want to discontinue its root business nor did it want
to spend the money and effort to revitalize it. The Aladdin
lamp division seemed to be sliding slowly towards oblivion
as the lamps slowly faded from public memory. By 1998, Aladdin's
lamp division profits were around 1% of the Aladdin Industries
On 5 April 1999 a group of Aladdin enthusiasts headed by
J. W. Courter and Tom Teeter purchased the Aladdin mantle
lamp division from Aladdin Industries. Tom Teeter owned a
company named The American Lamp Supply Company that offered
reproduction and new classic lamps that used the model 23
burner. The merging of the the two companies provided a large
increase in Aladdin lamp models. The new company was named The Aladdin Mantle Lamp Company.
The new company focused on upgrading the quality
of that lamp parts and providing the product line with a
much needed face lift that better reflected the Aladdin lamp roots. At this point it seems that the new company is largely supported
by sales of limited edition boutique lamps to collectors.
By 2014 some of the partners running the Aladdin mantle lamp company were ready to retire and the company was sold to Lehmans at the end of 2014 and beginning of 2015. The Aladdin Mantle Lamp Company became part of the Crownplace Brands division of Lehmans.
In early 2015 the company assets were transfered from Tennessee to Dalton Ohio.
The unsung Savior of Aladdin
I believe that Aladdin today owes its very continued existence
to Aladdin Industries Ltd, UK. The British empire imposed
strict import tariffs early during the great depression to
protect British industry and provide workers with jobs. The
Greenford manufacturing plant was built to make Aladdin kerosene
heaters, lamps and other products for sale within their empire.
The Greenford plant opened in 1932. Before then all Aladdin
lamps sold into the empire were of American manufacture, even
if the wick adjuster knob said London.
As an aside, Chimneys made for Aladdin UK were manufactured by the glass-makers Chance Bros in England, a very large concern that was in business from 1824-1981 and employing over 3,000 people at its height. Records indicate that in 1934, Chance was supplying Aladdin UK with 12,000 chimneys per week. The 'Hysil' trade name often associated with these chimneys derives from Chance - a borosilicate (heat-resisting) glass mixture. The trade name was bought by J A Joblings (the UK licensee of Pyrex) in about 1960.
I do not know for sure who manufactured glass shades for Aladdin UK, but it was highly likely that this was done by Chance Bros. as well. They had a large department for manufacturing opal-flashed glass. So they had the means to make the shades for Aladdin UK. (This data is from research done on the Chance Bros. by David Encill).
Americans did not accept the difficulties involved with
inserting a wick into the model A burner. With the wick
adjustment gear inside the wick movement area the wick tended
to hang up during insertion. The model A burner tooling was shipped to the
Greenford plant in the UK and the model B tooling went to the Connecticut Plume and Atwood manufacturing plant.
The slightly modified model A tooling became the UK model 14 (Super Aladdin) burner
that was used through 1953. This burner was also sold into
Australia as the model 16A.
In 1954 this tooling was modified to incorporate improvements
and reduce manufacturing costs. This reworked burner
become the model 21, then later the model 21C. The superior burning and quality English model 21C lamps
replaced the P&A made model C lamp in 1963. In 1969 the English tooling was revised yet again and became the
Had it not been for Aladdin Industries UK, Aladdin lamps
could have very likely gone out of production sometime between
the mid nineteen sixties and seventies. Every Aladdin burner made today is a direct descendant from
the model A tooling sent to the UK and the common model 23
brass table lamp font is a direct descendant from the UK model
12 table lamp.
If it was not for the transfer of the model A tooling to
Greenford UK, the 1955 flood that swept through the
P&A factory would have spelled the eventual doom of Aladdin
* From Aladdin The Magic Name in Lamps revised ed. page 43 "The Mantle lamp Company purchased and assembled lamps and accessories they sold from 1908 until late 1910 or 1911. These included the Practicus, No 1 Sunbeam and models 1 & 2." and page 44 "Johnson applied for trademark registration of the name Aladdin while he continued selling the Practicus, soon replacing it with the Sunbeam burner made by P&A. At the same time he was in the process of negotiating with P&A for a center draft mantle lamp that he would name Aladdin." Quoted with permission from the author, Bill Courter
1908 Mantle Lamp Co. Founded. Sold Practicus lamps
1908, possibly early 1909 mantle Lamp company no longer selling Practicus lamps and started selling Sunbeam mantle lamps.
1909 Aladdin Model 1lamp introduced, complete Sunbeam lamps no longer being sold.
1910 first two Canadian offices opened
1911 First patent covers new mantle, gallery &
generator. Cap mantle replaced by KoneKap mantle
1913 First wick cleaners, with model 4
1915 Model 6 First floor lamp
1915 Model 6 floor lamps converted to electricity
became Aladdin's first electric lamp.
1915 Model 6 won gold metal at World's Fair
1917 US entered WWI and parts for competitors
using German made burners, mantles & chimneys became unavailable
putting them out of business. Aladdin chimney production moved from Germany to US.
1917 Model 7 was first lamp using all new tooling
designed just for Aladdin
1917 First bug screens
1917-18 saw a slew of patents making the Aladdin lamp
unique from the competition
1918 Aladdin granted patent for #6 burner possibly
spelling end of production for other companies using P&A
designed mantle lamps.
1919 Aladdin Industries Ltd. UK
1919 Aladdin Industries founded to make vacuum bottle
1921 Model 10 first reinforced wicks & end to
1924 Aladdin Industries Ltd Australia
1926 Lippincott Glass Company purchased
1928 First Aladdin manufactured glass shades
1928 First paper shades
1928 Name generator changed to flame spreader
1928 Model 12 Lox-on mantle and chimney introduced
1930 Production began on electric lamps
1930-1935 Model 12 vase lamps
1932 First glass lamps
1932 Australian manufacture of lamp bodies started.
Never manufactured burners
1933 First English made lamps
1935-1954 Glass font lamps
1937 First caboose lamps
1938 First Alacite lamps
1938 Aladdin glass shades discontinued thru 1951
1942 Alacite formula changed
1943 Name bug screen changed to insect screen
1943 -1945 No brass lamps manufactured
1944 - 1952 bakelite lamps were manufactured
1949 Mantle Lamp Co. merged with Aladdin Industries
1949 Main offices moved from Chicago to Nashville,
Model 12 & Model B Nashville burners thru 1954
1949 Much of the lamp line revised.
Paint replaced plating for most metal lamp applications.
1951 Outsourced glass shades available
1952 Glass plant closed All glass molds destroyed
with exception of plain stem Washington drape and font.
1952 Last floor lamp
1955 Flood destroyed all metal lamp and burner
tooling. Model B discontinued. Remaining burner stock on
hand went to B-53
1955 Last Aladdin glass lamp, B-53, removed from price
1974 Glass lamp production resumed with undated model
23 Lincoln Drape
1978 Aladdin manufactured a small number of model 23 student lamps for its 75th anniversary. They were priced high and not readily available to the average consumer. Eventually the last stock was sold cheaply through an inventory liquidation house. These have become valued by collectors.
1984 Aladdin Canada closed
1994 Fenton started manufacturing a line of glass
lamps for Aladdin
1999 Kerosene lamp division sold. New owners put a lot of effort into manufacturing quality and expanding the product line.
2008 Aladdin reintroduced the parlor lamp fount design was a model 23 lamp as a 100th anniversary commemoration lamp.
Late 2014 The Aladdin Mantle Lamp Company was sold to Crownplace Brands the wholesale and manufacturing division of Lehmans.
2015 Aladdin moved from Tennessee to Ohio
2015 MAXBRITE 500 burner introduced.