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Aladdin Transition & Factory Hybrid Lamps

Model 11 - 12 transition lamp with model
11 top bowl joined to model 12 bottom bowl. As you can
see Aladdin seemed to have run out of model 11 burners before
they ran out of model 11 font parts. |
Transition lamps between adjacent models of Aladdin kerosene
lamps are the norm. Also when Plume & Atwood was manufacturing
more than one version of Aladdin lamp at a time and ran out
of parts for one, they used the corresponding part from the
other line until additional parts came in, producing factory
hybrids. Aladdin
was in business to make money and not to have "correct
lamps" for
future collectors.
Wherever possible the factory used or
reworked stock on hand to
go on new lamps. Throwing away perfectly good usable
parts was throwing away money. I suggest that collectors
might wish to think twice about correcting what they
believe to be a hybrid between two adjacent models of Aladdin
lamps. That
might just be the way that particular lamp shipped from the
factory and you just might be destroying a piece of Aladdin
history.
To further complicate things, Aladdin also sold lamp parts
to dealers who might well have assembled lamps out
of available parts in order to sell old model parts stock
that might have otherwise sat on their shelves unsold.
In addition, Plume and Atwood, the company who made kerosene
lamps for Aladdin, had their own schedule which often did
not coincide with the Aladdin model years Hence early
and late versions of an Aladdin model were created when the
P&A
tooling changed during an Aladdin lamp model year.
Tooling
did not always wait until between model years to wear
out or break. So changes can be seen within a model
that are the result of tooling changes. The glass Aladdin
lamp collectors see this all the time on lamp styles that
were in production for several years. Some styles went
through several glass molds, each a little different. |
Model 1-2 and Model 2-3
transitions:
The
Aladdin model 2 lamp was officially in production for just
4 months and underwent a large number of changes. For
practical purposes one could consider the model 2 to be a
morphing transition between the model 1 and model 3 lamps.
Early model 2 lamps used reworked model 1 galleries with
a brass ring inserted at the inside top of the gallery to
block off the top ring of holes (Change needed
for the #2 generator).
Part way through production the screw stop that limited
wick adjustment travel disappeared from the burner
adjustment shaft. Part
of production used a 2 part concave air distributor and
part used a one piece concave air distributor.
P&A changed the table font during the model run as well. Later
model 2 lamps have the threads hidden inside a raised collar
and had strengthening radial groves at the bottom of the
bowl. Except
for the thread pitch it looked like an early model 3 lamp
base (Chime shape was different in late model 3).
The last model 2 lamps used model 3 generators and the model
3 KoneKap gallery with the international patent markings. For
all practical purposes this lamp was a model 3 that used
the #2 burner, wick holder and a model 2 thread insert. A
late model 2 or an early model 3? I suspect these lamps
were sold into the model 3 production timeframe until Aladdin
ran out of #2 burners. At this writing I own three
model 2 table lamps and each one is different.
Very early model 3 burners had the long slots in the base
cut the same as the model 1 & 2 slots. The common #3
burners have shorter slots the same as the model 4 and 5
burners. |

Model 1 Draft tube that was reworked
to fit a model 2 generator has rings for both #1 & #2 generators |
I should note that Plume and Atwood evidently
changed their chime assembling tooling sometime during model 3
production. This
means there is a noticeable chime shape difference between models
1, 2 and early #3 fonts vs the later model 3, 4 and 5 fonts that
were assembled with the newer chime tooling. There was another
chime tooling change during the model 5 production run as well.

Chime on right made with the early chime
tooling (1, 2, early 3). Chime on the left made with next
generation of chime joining tooling (later model 3, 4 and slotted
burner model 5)
Model 3 - 4 transition:
Early model
4 lamps are found with model 3 galleries indicating that there
were still stocks of model 3 galleries on hand at the model
change. The primary difference between model 3 and 4 is the
generator and the labeling on the side of the
gallery and wick adjustment knob.
Also note that Plume and Atwood replaced the generator seat
forming tooling for the inner wick tube some time during model
4 production. The formed seats have a slightly different look
depending upon which tool was used. |
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Model 5:
I have read that very early model 5 lamps were fitted with the
model 3-4 gallery that had either no markings or a patent Applied
for marking. Do date I have personally never seen one and
assume these are very rare on model 5 lamps. They are normally
fitted with the same gallery as the model 6.
Sometime near the end of the Aladdin 5 production plume and Atwood
replaced the tooling used to make the lamps. This resulted
in 2 very different lamps sharing the same Aladdin model number. Most
Aladdin model 5 lamps have the slotted burner and most of the
model 5 font lamps came with the classic model 5 1-1/2 quart
font.
Model 5 - 6 transition:
The last of the model 5 lamp production and the first year of
model 6 production shared the same tooling and were identical except
for the labeling. The tooling to join the chimes were changed
again. The new tooling produced a more rounded chime. A
new 1 quart font was introduced The
drip plate and mounting for the drip plate were changed for the
second year of model 6 production. The rod used to make the harp
for the hanging lamp was strengthened by going up one size in diameter.
This transition took somewhere between a year to a year and a half
to go between the standard classic slotted burner model 5 and the
common dated model 6 lamps.
A lot of interesting changes occurred during model 6 production
and I have identified at lest 5 versions of the model 6 burner.
I refer you to my web page on the Aladdin
model 6 for additional
details about changes within model 6 production.
Model 8 - 9 Transition:
One would normally think that except for the outer wick tube,
wick holder and wick riser nothing was carried over from the
model 8 to the model 9 and you would be right. Except
there was excess stock of model 8 galleries that were nickel
plated and
fitted to early model 9 lamps.
Second year model 9, model 10 and model 11 were all basically
the same lamp with real minor changes likely brought about
by replacement tooling. |

Model 7-9 gallery right & model 9-11
gallery on left. Nickel
plated model 7-8 galleries have been found on some early model
9 lamps. |
Model 11 - 12 transition:
The lamp at the top of the page is an extreme example of a
model 11 to 12 transition lamp and proof positive that the
factory used up early model parts on hand whenever possible
(even if a little implausible).
The big question is did the factory run out of model 11 burners
before they ran out of model 11 fonts and ship model 12 burners
on model 11 fonts. What confuses this answer is that Aladdin
ran a major burner upgrade promotion when the model 12 was
introduced. The
promotion was to get people to trade in their model 7 through
11 burners for model 12 burners. The likely reason
for the promotion was to quickly build sales numbers on the
new Lox-on mantles and chimneys. This in turn provided the
retailers with more incentive to make space on their shelves
for these new parts and made production lines profitable faster.
I personally am in the side that advocates that the factory
ran out of #11 burners before they ran out of the fonts. There
seems to be a much higher percentage of model late 9, 10 and
11 fonts found with #12 burners than of model 7, 8 and
early 9 fonts found with #12 burners. I can not justify
this by saying that people who recently purchased a lamp were
more apt to trade in perfectly functional almost new burners
than were people who had purchased their lamps a few years
earlier. It
seems to me that people with old burners would be most likely
to want to upgrade and that there would be a higher
proportion of model 7, 8 and early 9 fonts with model 12 burners
than later fonts if Aladdin did not sell a transition
lamp that had model 11 fonts and #12 burners.
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Model 12 to Model A:
I personally know of no transitions to these lamps. Except
for the flame spreader and gallery the burners were completely
different as were the fonts.
Model 12 and Model B: hybrid burners:
Models 12 and B burners were both in production from the
time that the model B was introduced until a flood destroyed
the tooling for both burners during the winter of 1953. During
that time if production of one burner ran out of stock, the
corresponding part from the other model burner was used until
additional parts arrived. |

Hybrid burner with model 12 burner base and model B wick adjustment
knob. |
Model B burner base with Model 12 wick adjuster knob
This page is as yet an incomplete draft. If
you have any information to add please contact me. JPEG pictures
illustrating factory transition lamps and hybrids would be appreciated
as well.
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| If you would like to discuss any of the contents
please feel free to
.
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